Posts Tagged ‘collage’

#CED2010 Check-in: Bodies of Water, Graceful Bodies, and Pants on the Ground


2010
01.17

Thanks for reading Putting Your Body on the Line

Before I begin today’s post, I want to say thank you to everyone who read and forwarded my last post - Putting Your Body – and Life – on the Line.  Over 300 people have clicked on the link to the video in just a few days – I don’t know if they’ve watched the entire 10 minutes, but they’ve at least looked.  And maybe a few donations will have trickled in to the Fannie Lou Hamer Statue Fund. I know it’s a tough time to ask for money, especially when we’ve all just donated to Haitian relief.  I sent a donation to Doctors without Borders, an organization that is already established in Haiti and certainly critically needed right now.  But I think we can all squeeze out just a little bit more, especially with the stark reminder Haiti has given us of just how lucky we are.  Tomorrow morning Ali and Allie, the two seventh-graders who made the video (they are now in tenth grade) will be showing it at the Martin Luther King Community Breakfast and later at the youth luncheon.  I’m really proud of them.  Especially in this photo, which was on the last post:

Mississippi Civil Rights Veterans with Ali and Allie

They are centered in this photo taken in Mississippi at the Mississippi Civil Rights Veterans Conference.

Pants on the Ground

One more item before today’s post.  Did everyone watch Pants on the Ground?   The American Idol audition of 62-year-old “General” Larry Platt who wrote this little ditty because he was tired of seeing kids with their pants hanging around their knees?  It turns out he’s a civil rights veteran who marched with Martin Luther King and others!  I love this guy.  We’re all going to be singing Pants on the Ground, and there are some terrific remixes out there already.

Graceful Bodies, Bodies of Water

We finally made it to today’s post!  Still working with the Creative Every Day theme of Body, I extended the theme a bit to bodies of water.  Leah said we could interpret it broadly!  I’m fascinated with water – the patterns in water, colors, and I’ve been wanting to do a collage using water.  One thing led to another, and I came up with this.

I painted the background on canvas using acrylic paints.  The rectangles and squares are from photos taken in Mazatlan, Pismo Beach, Cambria (both in California) and a fountain at Disneyland.  Most of the paper is glossy but some, such as the long strip on the bottom, is Epson Velvet Fine Art Paper (I do all my printing myself).  I got all that arranged to my satisfaction – after several days of looking, walking away, changing something, etc. But I needed a focus and grabbed that Japanese Print book we were discarding.  I have a feeling that a whole series of collages is going to come out of this book.  So I found the perfect images in color and shape, and they lent such grace to the collage.  So we have Graceful Bodies, Bodies of Water.

I am particularly fond of this because it reminds me of some of the quilts my mother has made.  Hers from cloth, mine from water (figuratively).  It’s very poignant to think of my 86-year-old mom and her quilts as she still goes out to the studio and moves around blocks of cloth, but her memory isn’t there anymore and she can’t sew or quilt.  None of us are sure, but I don’t think she realizes that she doesn’t actually quilt as she’s moving around cloth and planning what to do next.  So in the best scenario, she’s still getting pleasure from it.  For the rest of us, it’s quite poignant.

Mashup: Let Me Hear Your Body Talk


2010
01.11

Creative Every Day January theme: Body.  Let’s Get Physical popped right into my head.  Remember Olivia Newton John’s song? Let me hear your body talk, body talk.

Bodies talk in so many ways besides getting physical.  Leah’s post about shadows reminded me instantly of a photo I took a couple of weeks ago on the Kern River.

So I started wondering how I could make this shadow “talk.”  We also been snowboarding during this same visit so I thought I’d transform this photo into something I’m calling Shadow Boarding.  Putting the shadow to work.

Here’s another work-in-progress that I just finished.  When we cleaned out our bookcase not long ago, we decided to put a book of Japanese prints in the discard stack.  The book was old, the pages brittle, and we can purchase much better now if we want.  But then – wait! I can use these in collages.  And I have.  Here’s the first one.

This began as the backdrop for a still life on which I’d painted pears.

I forgot that I was going to dedicate this canvas to still life backgrounds and repaint as needed.  So I painted over it in shades of purple.  Then I started cutting and pasting images from the Japanese print book.  It needed contrast, so I took the old-fashioned pitcher from another still life (I actually cut it out of the print) – you can see that still life here.

It still needed some contrast so I took the old brown paper that said This Side Up and put it along the left side.  This is what I got:

What an incredible mess!  I let it sit for a month or so and then had the aha! moment.  Change the background.  So I painted the background as you saw it above.  What a difference.  Just in case you forgot

I finished it off by outlining the figures either in black or white paint sharpies.  The mashup worked.  It’s a mashup of bodies but it works.  What it says, you decide.

And as long as we’re talking about mashups, I did a journal entry yesterday that I piled everything into.  Background: I’ve been photographing seriously since 1992, but I didn’t start doing anything but photography until June 2008.  So everything you see in my art gallery has been done since then.  But I have no training.  I don’t know anything about nothing.  Or nothing about anything.  BUT I have been reading your blogs through Creative Every Day and trying things out.  Lots of my posts from Creative Every Day Month were journal pages – last November was when I started an art journal.

Ok, it’s been said before, by me and by others – I’m a creature of excess.  Nothing in moderation.  So in yesterday’s journal page I used many – too many – of the techniques I’d been reading about.

Namely, trying gel transfers, pastels, torn paper from art papers, watercolor washes for background, acrylics to highlight, doodling and putting on words, etc. etc.   My journal page is 6.5×10 inches.  Small.  But I went nuts and persevered and found out that with enough stuff I could make it work.  I hope I’m right in assuming journal means it doesn’t have to be perfect.

How does it tie  into Body? I thought of Emily Dickensen’s poem and famous line – Hope is the thing with feathers.  And it is – that’s what powers our bodies – hope, ever ready to fly again, refresh, renew, and move forward.  Hope powers the body and the soul.

#CED2010 Jan. Theme – Body. Canvas Collage – Stages


2010
01.07

I’ve been working periodically on a collage that I never quite finished up, although I have posted it on the blog as a work in progress.  But the Creative Every Day theme of Body prompted me to get the final coat on and post this.  It embodies (not a pun) the theme.

My husband actually cleaned out some things several months ago and unearthed a box of sheet music that had been his grandmothers.  I had the idea of depicting the stages of life because this music has great words for the different little exercises and such.  I also had a bunch of vintage fruit crate labels.  I’ll tell you what the words for each stage say since it’s impossible to see in this little photo.

The babe on the bearskin rug has the words slumber, awakening, melody begin, and speak right underneath, all from the sheet music, and symbolizing of course the awakening of life.  Such a funny image, but growers seemed to choose their favorite things, or family members, pets, hobbies, and so on for the crate labels. They didn’t bother matching the name, image, and produce to make sense.   Some of these labels are from the 40s and later.

From there, our infant progresses to toddlerhood, represented by friendship, whims, and mother.

The circle continues with elementary and middle school phases, depicted with dreaming of love, youthful, and romance.  Not a coincidence, the image shows someone somewhat carefree.

But from there, the youth becomes a strong young man, in a hurry to experience life, with over the top, ecstasy, legend, ambition, hope, dance and en masque.  Those words, while perhaps not representative of everyone’s journey, were chosen with a particular young man in mind.

Finally, of course, we get old age, which I chose to depict in a tattered manner.  Song of the angels and peaceful accompany age.  At least in idealized life.

Creation is a strange process.  I looked and looked at this collage and couldn’t satisfy myself, until finally I put the red streaks of paint on.  Then, it seemed right.  The more I look at it, the more I like it.  And it is a different way to look at Body.

Interesting theme.  For more about this challenge, go to Creative Every Day.

As an aside, I have finally managed to get things on flickr.  Just a few, but is one of my resolutions this year to build it up.  Plus, posting on flickr for this challenge gives me that slight push I seem to need on so many things.

So that’s all folks.  For today.

Art Journal Collage – Body Theme, Creative Every Day


2010
01.04

The new year.  Just got back from our cabin in Alta Sierra – seven days with from three to six grandkids at all times.  Here are four of them:

I’ll have a post coming about that soon.  We had a great time in the snow (snowmen, snowboards and tubing at Shirley Meadows).

and some wonderful walks by the North Fork of the Kern River.

Now I’m trying to get my brain back in focus!  Because I have to sit at an actual desk on an actual straight-up chair to do this (until the Macbook is repaired or replaced) I’m slightly discombobulated.  It doesn’t feel creative here; it feels workmanlike.  Which, come to think of it, creativity could benefit from.  It evokes that dreaded word discipline.

I’m going to do the Creative Every Day challenge that Leah Kolidas offers on her blog.  Now, I’m not going to do an entry every day.  For a year? I’d wear myself out as well as my readers.  But I’ll dip into the challenge at least twice a month.

What’s good about this is the nudge – Leah has a theme for each month, and a nudge here and there to get moving and producing is helpful and fun.  So here is what I did in my journal the other day.  Actually, I did it at the cabin.  I had no notion of meeting the January theme of Body but looking at it, I see it does.

The images are from a National Geographic story on Stonehenge.  Most of the time when I work, I don’t really know what I’m doing.  For art journal entries, I do a watercolor background of some sort, and then images just arrange themselves on the page.  For this one, I knew I wanted to start with geometric images. Unnoticed by me at the time, the predominant stone, rock, whatever it’s called in the foreground, looks like a person with his/her back turned.  This gives a whole other dimension to the collage.  My mind flies to all the things this could represent about women (I think of it as a woman), strength, resignation, resilience,  power, and more.

The only geometrics that remained exposed after I collaged are the lines that form a V, or a triangle at the top.  They are cradling Stonehenge, which releases another stream of thought now that I’m thinking of the stone as a body.   I like what resulted so much that I may do a large version.

As to explaining how the art happens, I came across a wonderful quote that whollyjeanne posted a link to on twitter. Here’s the quote and it explains the artistic process as well as anything does.  I suppose this is how the collage happened.

“There is a vitality, a life force, a quickening that is translated through you into action, and there is only one of you in all time; this expression is unique, and if you block it, it will never exist through any other medium and be lost. The world will not have it. It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open. No artist is pleased. There is no satisfaction whatever at any time. There is a queer, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.” ~ Martha Graham

If you want to see other photos or photo collages for that matter, take a look at my web page.

#best09 Dec. 6 – Conference or Workshop that was Great? It was a Conference of One, a Workshop of Self, and a Community of Women


2009
12.06


I went to no formal workshops and no formal conferences.  I’m retired and there was a recession going on.  (Had I been able to, I would’ve taken a National Geographic photo trip to New Mexico.) This year, 2009, was more about teaching myself than getting outside help.  Specifically, art.  Photography.  I realized I know more about photography than I thought I did.  I have quite a few articles on eHow, and as I was writing them, I shocked myself. (I have an eHow button on my sidebar if anyone wants to look).

That’s how knowledge is sometimes.  It sneaks up on you.  You do something for years and then all of a sudden, you realize you’ve learned something.  Writing the eHows and some articles for ezines was like a Conference of One – I found out what I know.  I’ve sold photos, I’ve exhibited photos, I can write about photos, yet I have trouble calling myself a photographer.  I’ve sold photo collages, I’ve had collages accepted into museum shows, had my own show at Metro Galleries, and been part of several others.  But I have a hard time calling myself an artist.

The photographer problem comes from the fact that even though I know the most important attribute of a photograph is having a good eye because cameras, even point-and-shoots do such a good job, I feel I ought to be more technically informed.  But numbers scare me.  Yes, it’s true, I have to admit it.  I start learning about f-stops and ISO and speedlite flashes and proportions and distances and my mind stops.  It might be self-induced, but I do think I am mathematically-challenged (actually, I know I am – if I hadn’t had an extremely high SAT score in language, I might not have gotten into college based on the math score).

I’ve already set a goal for next year and it’s to finally learn the technical stuff about photography.  It might be a private workshop – me and someone to tutor me.  I can’t do it in a class or a group because I’d need remediation right away! But I can and will do this.  Even though it terrifies me. Then maybe I can call myself a photographer without flinching.  I know I’m pretty good, I know I can exhibit and sell, but I want to feel more complete.

My Workshop of Self was art.  Something took possession of me.  I had NEVER used paint outside of childhood, except for paining some metal chairs. ( You can see how successful that was in terms of having the paint land where it was supposed to.  Actually, the link to my story has a photo which doesn’t look too bad – it’s reading the story where the incompetence is revealed.)  But I so longed to do something with a canvas!  I bought small canvases, acrylic paints and a few brushes and went for background.  I used some vintage fruit labels as collage material and wow! I actually did something that was accepted into a juried show!

Metropolitan

Then I did another one.

rayo

These were even used as the show poster and I won some money!  My dad said I could call myself an artist -that my stuff was good.  He knows.  I encourage you to click on the link because he’s a pretty famous and amazing guy in the art world.  Anyway, my dad said my work was good even though I broke all the rules.  Not hard to break rules you don’t know.

So in my Workshop of Self I learned, I produced, I had a million ideas, and again, a lack of technical knowledge.  That doesn’t bother me as much as with photography though.  Because I’ve been learning from a community of artists in Bakersfield - BECA (Bakersfield Emerging Contemporary Artists).  These women are astounding in their acceptance and encouragement, their drive and passion.  I also have been learning from people all over the United States, the world really, in last month’s Art Every Day Challenge. I think it was only, or almost only, women who participated oddly enough.  It’s open to anyone.  These women were also encouraging and through their posts I learned so much about technique and materials and I got inspiration.

Now I want to go crazy and try all kinds of art forms.  I am going to do something with the head gasket from a Model A Ford my husband is restoring for this month’s Creative Every Day challenge of using recycled materials.  I have an art journal going.  I’m trying to actually paint something.  I painted a pear.  Poorly, but it’s a start.

So I take it back that I didn’t attend any workshops or conferences that wowed me.  Having written this, I realize I attended the best workshop of all – that of learning from supportive, talented people everywhere.  Wow.  The power of the Internet.  The power of Jen Raven who got me involved in BECA and Burn the Witch.  Me and all the enthusiastic young people who luckily don’t know their limitations, and because of that, they are going to exceed them.  I think that’ll be a goal of mine for 2010 – exceed my limitations by taking part in a workshop of willing teachers and participants all over the web.

For that I have to thank Gwen Bell for this Best of 09 Challenge – you can link to it from the button on the sidebar.  Because without this, I wouldn’t have discovered what I just wrote!


One Day More: Art Every Day Month #29


2009
11.29

Yesterday I referred to a work in progress as about as “in progress” as it’s possible to be.  Today, it looks totally different.  So it’s Work in Progress Two, and tomorrow I’ll have it done for the last day of AEDM.  Although I need to seriously get some stuff done – stuff other than art, this challenge has done so much to inspire me.  Nothing will be the same after this.

So here’s Work in Progress Two.  Yesterday’s was so icky; now I’m on the right track.

IMG_0229